Female Hottie: Halle Berry

Male Hottie: Will Smith

Random Hottie: Dania Ramirez

MILF: Christina Aguilera

Classic/Retro Hottie: Lucille Ball

I don't have a fancy description...just know that this blog is for whatever pops in my head and I need to get out. Nothing more, nothing less.
READER, IN JUST THE LAST COUPLE OF DAYS, YOUR CORRESPONDENT HAS SWITCHED OVER FROM USING INTERNET EXPLORER TO MOZILLA FIREFOX as the browser-of-choice, largely because of some problems seeing EntreCard widgets for drops in some of the member blogs using Internet Explorer.
Which, when seen in Firefox, can actually be seen...
"I think race was the No. 1 factor... You can say it's not about race, but you can't compare the two resumes and say [Chizik] deserved the job. Out of all the coaches they interviewed, Chizik probably had the worst resume."
"I just thought Turner Gill would be the perfect choice for two reasons: He's a terrific coach and we needed to make a splash. I thought we had to do something spectacular to bring attention to the program. Clearly, if we'd hired a black coach, it would have created a buzz."
Greetings faithful readers and entrecard surfers. I just wanted to drop you all a quick note to say if you comment on this blog, don't forget to keep checking back. Chances are I'll reply back ASAP. Also, leave a comment and the favor will be reciprocated. Saying all that, I don't want you to think I'm begging for comment or anything, just letting you know how things work here. Thanks for reading!
I know there are quite a few of you out there that love The Wizard of Oz and Wicked. A friend of mine who is obsessed with all things Oz brought to light his newest quest.
Apparently, the guy that created Hellboy and Spawn, came up with a Twisted Land of Oz comic and toy line.
Here are the pics.
Dorothy(with Munchkins)
Cowardly Lion
Scarecrow
Tin Woodman
Toto
The Wizard (with scientist)
Not sure if these look cool or creepy...or both
Three members of the Southern University band were beaten with a 2×4 wooden board as part of initiation into the band’s french horn section, a probable cause report says.
Two of the victims remained hospitalized in serious condition Tuesday.
Six band members were arrested Tuesday and deputies were looking for a seventh suspect.
Tuesday morning, East Baton Rouge Parish sheriff’s deputies arrested Harvey Harrison and Carlos-Andres Carter, both 19 years old. They are each charged with aggravated battery and ritualistic acts. Both charges are felonies. Both men denied any knowledge of the incident, investigators said.
Tuesday afternoon, four additional suspects were arrested and also charged with Aggravated Second-degree Battery and Ritualistic Acts. The suspects include Jeremy Dixon, age unavailable, of Natchez, Mississippi, Joseph Lee Webb, age 21, of Columbus Georgia, Lagarian Bridgewater, age 22, of Baton Rouge, and Aubrey Harris, age 20, of Canton, Mississippi.
According to a witness, as part of the initiation ritual, “the three subjects were blindfolded and told to remove their shirts,” the probable cause reports says. “They then had water splashed on them as senior members of the organization struck them numerous times with open hands. The three victims were then told to bend over at the waist, and the senior members began striking them numerous times with a large wooden board, commonly referred to as a 2 x 4. One victim elected to stop the ritual after he had been struck over fifty times with the board. In a statement to investigators, he identified seven members of the French Horn section of the band who were present at the home and participated in the ritual,” the report says.
The report says the other two victims “did not ask to have the ritual halted, and later sought medical treatment at a hospital for their injuries.”
The report says the incident happened at a home on McClure Road in East Baton Rouge Parish as part of a hazing ritual to be “initiated into an unofficial fraternity known as ‘Mellow Phi Fellow’ for the French Horn section of the band, the probable cause report says.
“We have interviewed a witness, and have several suspects to interview today,” sheriff’s office spokeswoman Kellie Engels said Tuesday morning.
The band took part in Saturday’s Bayou Classic football game in New Orleans, which featured Southern University versus Grambling State.
Sources say hazing is nothing new within the Southern University band, but it depends on your definition of hazing. Our source within the band says most often, hazing usually hovers around paddling, slapping, or neckin,’ which is a stiff slap to the back of the head. It is in the form of older students picking on younger students, so they may earn their letters.
Sources say the two students in the hospital are both freshmen and from out of state.
The university would not release specific details of the incident and issued only a brief statement late Monday afternoon. In a two-line statement, the university wrote:
“We have received information that two members of the Southern University Marching Band were injured in an off-campus incident that is under investigation. ”Our thoughts and prayers are with these families and for the speedy recovery of our students.”
What the Fuck Happened to Black Popular Music?
By Kenny Drew, Jr.
April 6, 2006
I've decided to add this section to my website as a vehicle to express my views on various topics, musical and otherwise, that have been on my mind lately. You may wonder why I'm talking about popular music in this first installment, since I am generally thought of as a "jazz" musician. However, anyone who knows me knows that my tastes in music are very eclectic (as are those of most jazz musicians, quiet as it's kept). In fact when I started my career as a professional musician, I was not playing jazz. I started out playing in R&B groups and Top-40 bands. We only played jazz if the club was almost empty!
The 60s - 80s was such an incredible time for all styles of popular music, but for the sake of this discussion I will concentrate specifically on black music (or rhythm-and-blues, or funk, or whatever the hell you want to call it).
Recently, I've been listening to a lot of my favorite music from that time, and to be honest, I am disgusted and sickened at how far our music has declined in the quality of the music and its message. How the hell did we get from Motown to Death Row; from Earth Wind & Fire to Ludacris; from Luther Vandross to 50Cent?
I remember a time in our music when songs had great melodies and chord changes, you actually had to be able to sing or play an instrument to become a musician, and Michael Jackson was black! It's a sad commentary on our culture and society when the biggest thing in popular music is an ex-crack dealer whose claim to fame is being shot nine times, and one of the greatest entertainers in the world was on trial for child molestation. If that's not a sign of the coming Apocalypse, I don't know what is! And if 50Cent was really shot nine times, why couldn't one of those bullets have hit a vital organ? Who the fuck was shooting at him: Stevie Wonder? And as far as all these black rappers getting shot, how about a little equal opportunity violence here? Can't somebody pop a cap in Eminem's white ass?
Another issue in the decline of music today is the stupidity and negativity in the lyrics and the video images that accompany this so-called "music". I recently discovered that there is now a form of rap called "coke rap", in which the lyrics deal mainly with the sale, distribution and use of cocaine and crack. I find it offensive that any record company would try to make a profit from glorifying something that has decimated the black community the way that crack has. I hope that one day while 50Cent is lounging by the pool in his humongous mansion surrounded by beautiful groupies, he might consider how many lives were ruined by the poison he used to sell, and how many more lives will be potentially damaged by the musical poison he's selling now.
"Another issue in the decline of music today is the stupidity and negativity in the lyrics and the video images that accompany this so-called 'music'."
There's a video by Ludacris that I've seen of a song called "Act a Fool". All I can remember about the video is that there were a lot of shots of him and his boys running from the cops. Don't we have enough young black men running around acting like fools without some idiot rapper encouraging it? (But then again, Ludacris probably makes more money in one month than I'll make in my entire life as a jazz musician. So who's the idiot here? Maybe it's me!) Remember when the lyrics in our music spoke of love or the loss of love? Who can forget the uplifting messages of peace, hope and spirituality in the lyrics of Earth Wind & Fire? Or the social consciousness and protest messages in the lyrics of Gil Scott-Heron and Marvin Gaye? How the hell did we get from "Just to be Close to You Girl" to "Back That Ass Up Bitch"? How the hell did we get from "What's Goin' On" and "You Haven't Done Nothin' " to "Me So Horny" and "My Hump"?
Last, but not least, it's time to address the musical quality of this bullshit, or more accurately, the lack of it. Way back when, when I first started studying music I was told that music had to consist of three elements: melody, harmony and rhythm. Rap music (an oxymoron similar to "military intelligence" or "jumbo shrimp") has basically discarded the first two elements and is left with nothing but rhythm.
Since only one element of music is present in most of this crap it doesn't even justify being called music. Our culture has been dumbed down to the point where your average dumb-ass American can't tell the difference between a truly great musician and somebody who's been studying their instrument for a week. Playing a musical instrument at a high level is no longer a well-respected skill in our society. (I'm not 100% sure that it ever really was.) In fact, to be honest, I think that most of the students in music schools today who are studying jazz and classical music are wasting their fucking time and their parents' money! (Boy, am I gonna get in trouble for saying this!) Why spend all that time mastering an instrument when you can just get a drum machine and a microphone, write some asinine lyrics about fucking, ho's and pimps and make a ton of money? Sometimes I wonder whether I'm wasting my time in this cesspool called the music industry. These days it seems like the only way to make any serious money in music is to produce some bullshit that doesn't even sound like music!
So what's the solution here? Damned if I know! But I did see an encouraging story on the news recently. A billboard advertising 50Cent's new movie was put up in a black neighborhood not far from a school. In the billboard 50Cent is seen with his heavily tattooed back to the camera with his arms outstretched in a crucifix-like pose with a microphone in one hand and a gun in the other. Understandably, the community was outraged. They held protests, got some media coverage, and eventually succeeded in getting the movie company to remove the billboard. I say that we use this as a model nationwide.
I propose a nationwide boycott of rap music; perhaps by picketing in front of record company offices and major record store chains. Anybody remember the "Disco Sucks" movement in the 70s? Maybe it's time for a "Rap Sucks" movement now. Who's with me here? (Actually, looking back on the disco era, that music sounds like Beethoven in comparison to the rap garbage that's poisoning our airwaves now!) Maybe we could have a big "Rap Sucks" rally somewhere. (As long as it doesn't escalate into a riot like the "Disco Sucks" one did.)
"It isn't where you came from, it's where you're going that counts." ---Ella Fitzgerald